HELHAMMER
Demon
Entrails
(Century Media)
BLACK COBRA
Feather & Stone
(At a Loss)
GRAVE IN THE SKY
Cutlery Hits
China: English
for the Hearing Impaired
(Heart & Crossbone)
GHOSTLIMB
S/T
(Self-Released)
THE
PLIGHT
Black Summer
(Visible Noise)
NADJA
Radiance of
Shadows
(Alien 8)
OBSTRUKTOR
Dead On Arrival
(Self-Released)
MARBLEBOG
Forestheart
(Autopsy Kitchen)
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GHOSTLIMB
S/T
(Self-Released)
    
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Headed
by Graf Orlock’s vocalist and main songwriter Justin Smith,
Ghostlimb is basically a blinding fast paced hardcore band with
a quasi thrash metal angle. Traits of Bay Area thrash metal
minus the faintest attempt at hectic guitar solos are spewed in
this their debut album but for the most part Ghostlimb sticks to
a very eloquent and dexterous brand of chugga-less guitar
oriented hardcore. Crossover if you will, and of the mightiest
kind. Personally, I much prefer this type of hardcore than the
simpleton tough guy thing that has been de rigueur in the
hardcore scene all along. Not that Ghostlimb isn’t tough,
because the vocals of Justin certainly have all that rough rowdy
attitude, pitch and volume that screams with a powerful voice
for everyone to move aside and, if possible, head way outta
sight, but at least the music owns plenty of the dynamics
usually ignored by many of the rest of hardcore bands, maybe
because of lack of skills, perhaps because they were too
preoccupied with violence and not enough with the music.
Not
Ghostlimb though, who run through eleven songs in a little over
fourteen minutes and that’s just plenty to express themselves.
To their advantage, and that shall only be considered after we
take into account their power, there is top notch musicianship
here. We all know technique is not what is about especially in
hardcore where attitude is about 60% of the game, but these
riffs are killer, elaborate, aggressive and tasty and range from
the simple one for opening cut “The Custom of the Sea“ to the
more impressive and technical. All done with much speed and
poignant melody this three piece band is wise not to ever get
into sweet land territory. One aspect to highlight is the
balance of the songs; this is heavy, fast, and melodic, but
super rough. Gorgeous artwork by the way.
MySpace
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