DEAD
HOOKERS
The
Burial/The Rebirth
(Dead Beat)
BIRD EATER
Utah
(Exigent)
JESU
Lifeline
(Hydra Head)
EVILE
Enter the
Grave
(Earache)
STINKING LIZAVETA
Scream of the
Iron Iconoclast
(At a Loss)
WOLVES IN THE
THRONE ROOM
Two Hunters
(Southern Lord)
RED FANG
S/T
(Wantage)
PURE SOUNDART
Emo is Dead
(Lockjaw)
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WOLVES IN THE THRONE ROOM
Two Hunters
(Southern Lord)
    
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Seriously,
I was expecting the atmospheric aspect of this Olympia, WA black
metal band to extend deeper and way beyond past the ethereal
opening cut “Dea Artio”, which flawlessly blends either
synthesizer that sounds like guitars or guitars that sound like
synthesizer. Either way, it’s an intriguing intro and an innate
grower that anticipates this band’s most atmospheric
aspirations. The three tracks that follow are of the long kind;
“Cleansing” is the shortest and it almost makes it to the tenth
minute. But I am not complaining, black metal needs stuff like
this. Even if once it kicks in falls into the trappings of all the
atmospheric black metal bands, even if what we think we hear is what we
actually hear, Two Hunters is still a OK. The
anticipation has been built, their moniker is outstanding and
the eerie aura it evokes makes up for a good percentage of what
we think we hear.
But what we
actually hear, which is of course what we think we hear, is
black metal of the most tacit kind. Of course, let’s leave the
most mundane of aspects of European black metal out of here.
This band may be more about the idea than the actual realization
of dressing up in black, donning corpse paint and bullet belts
and spending an afternoon lighting up churches. This is about
another kind of black. Clearly, Wolves In The Throne Room like
their shoegaze laced with plenty of metal, and like their
guitars buzzsaw, and their drums slamming, and their songs long
to the point where they sound endless and through such trappings
become more of a trip than a three minute slam dunk. But at the
core, they play black metal. Plain and simple.
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